Ann Norton Sculpture Gardens
2051 South Flagler Drive,
West Palm Beach, Florida 33401 (561) 832-5328
West Palm Beach, Florida 33401 (561) 832-5328
AT A GLANCE: Ann Norton Sculpture Gardens
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Date of visit
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Saturday, February 3, 2018
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Parking
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Limited free street
parking.
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Amount of time needed
to peruse exhibits:
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20 – 30 minutes for
the indoor exhibits; 40 – 50 for the sculptures outside
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Amount of time needed
for gift shop
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5 minutes
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The “must have”
souvenir
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Branded coffee mug
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Online shopping
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No. If you see it and like it, buy it.
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Kid friendly shopping
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No.
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Kid friendly
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Yes
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Dress code
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West Palm Beach is a
town where you should dress tastefully.
You’ll feel woefully conspicuous in “beach” clothes.
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Be sure to…..
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Spend a quick 5
minutes with the docent inside of the museum.
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Nearby/other
establishments to visit
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Norton Museum of Art
is a 10-minute walk (1/2 mile) north of the Sculpture Gardens. www.norton.org
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Walkability, general
downtown area / amount of traffic
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This area of West Palm
Beach is located away from the downtown area, and isn’t walkable.
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Safety, in terms of
type and number of crimes committed in general area
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Generally safe. Lock your car, place your valuables out of
sight, and be aware of your surroundings.
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West Palm Beach is a
2-hour drive south of where we live, so we set out early last Saturday for the
Norton Museum of Art, a museum created by Chicago steel baron Ralph Hubbard
Norton is a place to display his extensive art collection. We were coaxed there by the promise of seeing
original Picasso, Monet, and Pollack art.
Well on our way to West Palm Beach, I started reading up on the Museum
in Fodor’s Travel Guide, realizing that we would arrive at least two hours
before they opened. What to do, what to
do? An hour into our drive to West Palm
Beach found me searching the internet for something else to do. That’s how we discovered the unique Ann
Norton Sculpture Gardens.
The Ann Norton
Sculpture Gardens are sited at the dead-end of a charming residential area,
replete with quaint brick streets and towering shade trees. We spotted it by the sculpture of a large head on its front lawn. I thought it was strange, but as you know by
now, I’d rather avoid the nuances of contemporary art. I accidentally begin calling it “the Head
Museum,” which had an entirely different connotation back in the drug-hazy 60s
and 70s. I really thought that the
indoor museum exhibits were going to be trippy and mind-blowing. It turned out to be so, but in an entirely
different way.
This is the residential house across the street from the Museum and Gardens. The parking is on the street of houses like this. |
As Bob wisecracked, this was the poorer section of town; the real money is across the water. |
Walking into the museum
part of the Ann Norton Sculpture Gardens (ANSG)
is a cozy feeling, akin to entering a friend’s home. That is, if that friend happened to have lots
of money and an architect at their disposal.
No soaring ceilings or ornate staircases here. It was welcoming, warm and honest, without
pretention. As my first stop, I was
mightily impressed by the restrooms, located in the back corner of the Museum
in the room with the big fireplace. I
hollered out to Bob to come and take a look.
I chose to ignore the incredulous look on his face, but it was tough to
ignore me. I brought him into the
restroom and asked him if the men’s room was as nice as this one. He replied that there was no men’s room,
which I took to mean that they’d have to find a tree and go au naturelle. Luckily, that wasn’t the case. The Museum had one unisex bathroom, and we
were both standing in it.
Pretty notecards and calendars on the top shelf, and informative books about Gordon Cheung and Ann Norton on the bottom shelf. |
Another Ann Norton art book and a fun book for children. These three photos capture the entire gift shop. |
Having to calm me down
after this heady restroom visit, we were greeted by the docent on duty. I liked this docent; I usually don’t. Most of them drone on and on in a
never-ending monotone voice. The ANSG
docent relayed the Museum’s history and how the gardens come to be; mainly
because Ann Norton’s sculptures don’t fit just anywhere. They’re considerably large, and she felt that
displaying them on her own property would do nicely. Ms. Docent also told us the remarkable story
of how the “Head” on display in the front yard is held together by
gravity. The artist’s smaller indoor
works had to have steel rods inserted through them in the event of rowdy boys’
shenanigans.
Ms. Docent entertained
us with stories from back in the day in the Netherlands when the tulip bulb
hysteria swept through. There were bulbs
that cost more than the average tulip collector’s home. However, disease, thankfully, came knocking
on the door and slapped everyone back to reality. I say thankfully because it woke folks up and
let them realize that nothing is permanent, including extravagantly priced
tulips. She told an enjoyable story, and
went on to make the connection between the tulip story and the Museum’s current
collection by Gordon Cheung, a digital photographer. Ms. Docent explained that Cheung used the
same concept of plant disease and the crazy expensive tulips. The artist had purposely introduced a virus
to mimic dying tulips. Being a weekend
gardener myself, I thought it was a nifty idea to photograph the flowers as
they succumbed to an almost certain death.
Bob had to gently and patiently explain that the introduced virus was a
computer virus, not a botanical one.
Oh. I wasn’t as impressed after
that. Cheung used digital photography to
capture how the computer virus decayed the original image, photographing four
stages of the decomposition.
Dying tulips |
I’ve written before
that I don’t understand contemporary art.
Cheung’s exhibit added to that miscomprehension. I’d look at Phase 1 photos, then try to
compare to a Phase 2 photo. They looked
the same to me. As only an engineer can,
Bob pointed out the similarities and differences between all four phases. He enjoyed the exhibit and the concept behind
it; I just wanted to look at pretty things.
I found one that I kind of liked.
It was one of the digital photos that resembled the Northern Lights,
ablaze with wondrous colors. Wondering
aloud why this pretty picture was exhibited in the same room as the weird dying
tulips, Bob, once again with the same patience, explained that this work of art
wasn’t some galaxy or Star Trek tribute; it was merely Phase 4 of a dead
tulip. Oh.
Ms. Docent left us with
a challenge. Norton was a stewardship of
nature, and felt that to view her work that the presence of the land need also
be seen and appreciated. She saw herself
as part of the natural world, and wanted her creations to exude the same
quality. As a result of this belief, she
always put a gateway / opening in her sculptures. Our mission was to find that opening in her
sculptures through which the natural world could be viewed, in essence, seeing
things as she once did. Challenge
accepted. Exiting through the Museum’s
back door, we were immediately speechless at the first sculpture. It is forty three feet long, and located in
the middle of a reflecting pool.
Incredible.
A charming spot for afternoon tea is immediately out the back door. |
This of art is 43' long and is sited in the middle of a reflecting pool. Norton made her own bricks for this work. |
This cozy dining area is also right outside the back door. Unfortunately, we visited too early for lunch. |
The Garden's grotto |
Norton's workshop |
Fodor’s, Frommer’s, and
the Rough Guide travel guides fail to mention the Museum and Gardens. Doing a bit of internet digging, there are
reviews of ANSG, most including the phrase, “photos don’t do it justice,” which
is true, because Norton’s sculptures spilled over on my camera’s viewfinder. For history of Ann Norton, her art, and the
Sculpture Garden, take five minutes to watch the ANSG’s video at https://www.youtube.com/watch?v=-3RVvCTsULs.
The photography is excellent.
The Slat House is tucked away in the Garden's, and is used to propagate native plant species to replace dying Garden species. |
We had no problem spotting the "gateway" (opening) in this one. |
Did I mention that Norton's works are LARGE? |
Some of the works are scaled down to our size, as this one displayed in the Gardens. |
Another opening that we found easy to find. |
Ann Norton is one of
the most interesting artists I’ve never heard of. We discovered the ANSG by happy mistake, and
are thankful we did.
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